By Rohini Sunderam
Having spent over twenty years in Bahrain, I think I can claim with some degree of certainty that we all develop a dichotomous relationship with the kingdom. We love it, we hate it, and we’ll defend living here tooth and nail to outsiders, especially every time we return to our ‘home countries’. Yet we miss, or pretend to miss, certain aspects of ‘back home’ especially when we’re in a mixed social group or when life isn’t quite going our way, like when 'that yobbo with the Saudi licence plate' cuts us off without so much as signalling. “OMG,” I can hear so many people (including myself) say, “Back home the cops would be on him in a flash”… or similar.
And, given Bahrain’s history, I have developed the quirky opinion that this love/hate relationship with Bahrain has always existed, even from the time the legendary Gilgamesh first came to Dilmun. Now, I’m guessing that all Bahrain-o-philes have some idea of the Epic of Gilgamesh and his supposed connection with Dilmun - considered by some to have been a name for Bahrain.
For those who don’t know it, here’s a quick run-down garnered from Wikipedia: The Epic of Gilgamesh is a poem from Mesopotamia and among the earliest known works of literature. Scholars believe that it originated as a series of Sumerian legends and poems about Gilgamesh King of Uruk - which is in present day Iraq.
The story revolves around a relationship between Gilgamesh and his close friend Enkidu, with whom he undertakes many dangerous quests that incur the displeasure of the gods. In one of these quests, the two friends kill the Bull of Heaven and so to punish them, the gods have Enkidu killed. The latter part of the epic focuses on Gilgamesh's distressed reaction to Enkidu's death, which takes the form of a quest for immortality. In this quest Gilgamesh tries to learn the secret of eternal life by undertaking a long and perilous journey to meet the immortal flood hero, Utnapishtim and his wife, who are among the few survivors of the Great Flood, and the only humans to have been granted immortality by the gods. Gilgamesh comes to the twin peaks of Mt. Mashu at the ends of the earth, through the mountains along the Road of the Sun. He follows it for twelve 'double hours' in complete darkness. Managing to complete the trip before the sun catches up to him, Gilgamesh arrives in a garden paradise full of jewel-laden trees; in another legend this is the place referred to as Dilmun.
Gilgamesh notices that Utnapishtim seems no different from himself, and asks him how he obtained immortality. Utnapishtim tells an ancient story of how the gods decided to send a great flood - very similar to the Flood in the Bible and Noah’s Ark. The main point seems to be that Utnapishtim was granted eternal life in unique, never to be repeated circumstances. After instructing his ferryman to wash Gilgamesh and clothe him in royal robes, Utnapishtim prepares to send him back to Uruk. As they are leaving, Utnapishtim's wife asks her husband to offer a parting gift. That’s when Utnapishtim tells Gilgamesh of a boxthorn-like plant at the very bottom of the ocean that will make him young again. In some stories it is the pearls that are considered the 'grapes of the sea' that will grant immortality. Gilgamesh obtains the plant by binding stones to his feet (very similar to the early pearl divers of Bahrain) so he can walk on the bottom of the sea. He recovers the plant and plans to test it on an old man when he returns to Uruk. Unfortunately, when Gilgamesh stops to bathe, the plant is stolen by a serpent which sheds its skin as it departs. There is a lot more and it is a far more complex epic than I have placed here.
In the Epic, Gilgamesh returns to Uruk, however, in my imagination, he never really leaves and the following poem draws on several myths around ancient Bahrain, using different names by which it was or supposedly was known - Dilmun, Tilmun, Nidukki, Kur-ni-tuk. Those interested may explore these further through that wonderful resource; the Internet.
THE LAMENT OF GILGAMESH
South, south he rushed
To the midst of the sea
To the place of the rising sun
To the place where some day
A king would live like a fish
Twelve double hours away.
The fifth King of Uruk was Gilgamesh
Descended five times from the time of the flood
And son of the goddess Ninsun.
He sailed for a day
He sailed for a night
He sailed in search of Dilmun.
He wished to eat of the grapes of the sea
Those pearls from its bed would grant him
Eternal bliss and companionship
With the sage King Utnapishtim
In legendary Dilmun
In twice-blessed Dilmun.
Twice blessed by the god of sweet waters
Twice blessed by the god called Enki
So south he rushed, south by south-west
And he met with a following wind
Until he came upon this jewelled isle
(A sad, far cry from Sumer).
Here the date palms stood tall sentinels
Their green arms stretched to the sky
Waving a warning from dusk until dawning
That this idyll would soon pass by
But, he heeded them not brave Gilgamesh
For he had reached the isle of his dreams.
Then Gilgamesh dropped anchor
And entered the waters green
Where betwixt the salt, through the seabed rose
The sweet waters of Bahr ein
With stones on his feet down, down he dived
To the rocks where the pearl beds lay
He closed his eyes against the salt
He pinched his nose with a date palm peg
While he harvested those pearls of rose and grey
Harvested the grapes of eternal day
In the twice-blessed waters of a tiny bay
Off the island of Muharraq near Bahrain
Off the waters green that spread between
Muharraq and Bahrain.
How long he stayed beneath the waves
Neither he nor the sages could tell
But he took many shapes beneath the seas
Once a dugong shy, then a dolphin spry
Then a shark, then a dolphin again.
And he sang a song, a lament forlorn
Of what he saw had been done to Dilmun.
And this was its burden long:
“Ah me Dilmun, Tilmun!
What became of your bearded palm trees green?
What became of your shingled shores?
What became of your soft undulating sands?
Of the burial mounds of your immortal clans?
Who has broken these temples and laid them bare
So that emptied and hollowed and ravaged they stare
At the sky and the taunting sun?
Ah me Nidukki!
Did the oil then come?
As Mesopotamia of old had foretold?
And is it true Kur-ni-tuk
That your pearls you forsook
For the sake of the black, black gold?”
And at night when a full moon is in the sky
And a Sambuk is sailing silently by
Old sailors at their fish traps say;
If you hear the shudder of an oil-tanker
Start up on a night such as this
Emanating from the sea comes a moan and a cry
And the lament of Gilgamesh.
And to what do we owe the changes that came about in Dilmun? As Gilgamesh says in his lament: the discovery of oil. This as we know, changed life forever in Bahrain. The next verse deals with some of the legendary references to Dilmun the land where 'the raven never croaked, and the sheep lay alongside the lion without fear'.
DILMUN
The raven does not croak here
Nor the lion roar
But this today is after
And that was before.
The raven comes disguised now
His croak softened with chalk
The lion is a prancing Peugeot
And though the Jaguar doesn’t roar
A Van dan Plas or an XJ6 purr slowly by.
On Fridays the palm-fringed streets
Trill to the sounds of a Suzuki jeep
A Cougar pounces down the road
Rubbing shoulders with a GMC’s load...
And a forgotten nodding donkey
Wearing a hoopoe bird’s face
Hangs it head in shamed disgrace.
All that is in the past. And to this day so many of us, who come to Bahrain and stay for more than two years, are mesmerized by the country, the easy life, and some even convert to Islam, often for love. The following is in memory of a person from Scotland who followed the Great Prophet for love and gave up all that had once been second nature to him. I always believed that behind his sad eyes there was a hankering for his early life. I could be wrong, but there is a sixth sense that sometimes picks up on that intangible emotion: wistfulness. I sensed it here, although the individual has stayed on in Bahrain and made this country his home.
NO CUP O’ KINDNESS
He came all the way
From a land of grey
Craggy rocks and soft green moss
Where the harshness of the landscape
Was ever mellowed in a mist.
And in his whispered, burry voice
Lingered a memory: 'I wish'
I hadn’t heard the words
Of another Prophet calling
I hadn’t seen a promised land
Nor learnt of its appealing
Enchantment of another kind
Delusions of the mind
Seeming straightforwardness
Ever twisted in a tangled mess
Severe deprivations of the body
Seducements to the spirit.
Yet, daily
The indulgences to satisfy the flesh
Blew up before his very eyes
And more and more did he disguise
His weariness
With pathetic little gossip
Disparaging the lifestyle
Of what was the right style
Yet tried to seem so flip about himself.
Hiding as best he could
The image of a man he would
In other circumstances, most despise.
He languished.
Near a lake of sand
Beneath a clear blue sky.
He withered
In the promised land
And never more said ‘aye’
To an inch of amber in a glass
Nor a rude and honest high
Not e’en that cup o’ kindness
That was drunk for 'Auld Lang Syne'.
And then there are so many of us others, who just enjoy the marvellous freedom that tax-free salaries provide. The material delights, the facility with which one can go buy another car, for instance... So this one is dedicated to auto enthusiasts who have their pick of vehicles, makes, models and marques:
WINDOW SHOPPING FOR WHEELS
Ah! The weekend!
Let’s enjoy.
And to a car showroom deploy
Our energies. Our fantasies
Because after all some day
The will to go will go away
And perhaps the wherewithal
Will go the way of pleasures all
Down to a might-have-been.
Now, let’s see. What shall it be?
The Town Car that’s left on the shelf
The latest Taurus, or shall we
Indulge our fantasies and go for
A Lincoln Continental under a self-financing scheme?
Let’s to another showroom wander
And check out the newest Honda
BMW’s over priced for me
And, though they’re nice
I don’t care for Land Rover
A Mitsubishi’ll do for you
We could get it brand new.
For myself, I can’t decide
Perhaps I’ll check the classifieds
And exercise a little prudence.
Or shall we in a fit of caprice
For a Cadillac or Bentley place a deposit?
But really when you look at it
The cash one spends upon some cars
Is worth a flat, a home, by far
More likely to appreciate…
But, let’s to a showroom anyway
It’s how I like to spend Thursday.
Then there are the children who grow up here, who believe that this way life exists everywhere. Their parents wish to caution them, to tell them to study hard, because ‘back home’ things are different. Either the academics are too hard or daily life - no housemaids, nannies, cooks, or someone to take care of laundry. There's also the inconvenient need to travel by public transport and not be chauffeur driven everywhere or own a car with ease. In addition, here they see that most people are able to enjoy fully paid-for three-week vacations and go wherever one’s fancy takes one, in addition to making that obligatory visit ‘home’.
Consequently, many of our children grow up not really believing our tales that life isn’t quite the happy-go-lucky existence they enjoy here. To them it’s another of our fake bogeyman tales, which they think we invent so that they might work a little harder.
WHICH IDEAL
I came here when I was four
The world was still so new to me
The sun rising and full blown
The moon: half, full, or crescent ‘C’
I know no different I cannot see
That this idyll
Is a shell and it’s fragile (I’ve been told).
The blue skies and the palm fronds
Clubs on Fridays
Ramadan dry days
The summer sea a static pond
Of which I have grown fond.
I know no different I cannot see
That this idyll
Is a shell and it’s fragile (so they say).
Easy school days, breezy homework
When I grow up I’ll be no clerk
Tennis lessons at the club
Tuesdays brass band
Life is swimming
And the so-called real world
Is just a quirk.
I know no different I cannot see
That this idyll
Is a shell and it’s fragile (is it really?).
Yet, somewhere a wave beckons
Other horizons call to me
Saying there’s a greener, brighter land
Away beyond the sea.
They say it daily drizzles there
The skies are pearly grey
There’s an exciting acrid smell
Of happenings in the air.
And the future that it promises
Is clear and bright and fair.
I think perhaps that that too
Is an idyll and a shell.
Ah! The expat who is into everything: we see them in souks and malls, striding with the latest equipment into a gym or club. He or she enjoys a busy round of social and 'business' entertainment, and lives life to the full. However, even these individuals know deep within their hearts, or at least they always have that nagging suspicion that on a dime it could all suddenly come to an end.
BUSY, BUSY
Tennis: Saturday, Monday, Tuesday.
Golf, I get in early, early Friday.
The Manama Players on Wednesday —
No that’s the singers.
Sunday, church of course.
Thursdays we keep for dinner parties
And hobnob with the glitterati
After golf Friday’s reserved for the family
Unless of course it’s absolutely necessary
Then we might, just might
Ask the housemaid to stay overnight
I take the children to school every day
In the BMW except Wednesday
When I take the Isuzu
For she has bridge and plays till two
Oh, the workload of our workaday week
It isn’t easy but it isn’t steep
We start at seven thirty in the a.m.
We knock off at half past one
We might go back after three
But the bosses leave it up to me.
The money’s good, the sun is bright
And the memory of commuting is a dark, dark, night.
Frequently one comes across the ‘wife’ who doesn’t or can’t, for any number of reasons, work outside the home. She is involved in many activities and has an opinion, sadly, often negative, about how people are treated in the workplace, especially her husband. In some cases she may be right, but dear, oh dear, she feels she must express her exasperation … although if the truth were told, she loves it here!
IS THIS HAPPY?
I can’t stand it any more!
This daily dreaming
Work that only seems to be, yet, he slogs all day
But doesn’t seem to have got far.
His efforts spill into my life.
It’s not right.
Are we tied hand and foot?
Are we bound by some Mephistophelean deed?
I’ve told him, enough! Let’s leave.
You call this a school here?
This ‘hunky-dory’ learn what you will
Without text books or tests
And then they tout abroad that it’s the best.
Yet, I must do the teaching one on one.
It’s not right.
Will the sins of the parents
Be visited on these so young?
I’ve told him, enough! Let’s leave.
They’re a nuisance
These sunny days
All we do is swim and laze
Like salamanders in the sand
We bask and then we hurry.
It’s not right
The ease of our existence
Is it rust upon ourselves?
Or a corrosion of the mind that first hits the cells?
I’ve told him, enough! Let’s leave.
This whole sensation is so strange
A circular path of repetition
With no change.
No ambition to fulfil
No hopes to still
No disappointments to fear.
I do believe
That all in all
I am happy here.
The following is dedicated to those of us who revel in this new-found wealth and freedom. Double-income families enjoy the best of the best. They enjoy access to the many delightful services in Bahrain and the low-cost labour helps, put us in an altogether different class. And in honour of them:
APPURTENANCES
But of course, my love, don’t you know
My whisky-voice is mature mellow?
I am what I am because I got there
On my own steam — more or less.
It helps. He’s in oil.
But, I worked too
And made it… did you?
House mortgage paid up in Lancashire
A Mercedes for him, for me a Daimler.
Single carat diamonds in each ear
And none of your eighteen carat gold, my dear.
Twenty two, it doesn’t mater
That gold’s gone down or is it up?
We take R & R trips to London town
Sometimes the Seychelles
And perhaps this winter we’ll finally go
On that much put-off trip to Mexico.
I’m Joan-Collins slim with a bit more style
The tailors here are so agile.
Weekly facials and hairdos
An oil massage for an hour or two.
I’m berry brown from sunshine haze
While on our yacht on most Fridays.
No, it isn’t an exotic lifestyle really
Everyone lives like this, well, nearly.
After spending several years in Bahrain, we begin to notice that we have a disconnection with families and friends in our home countries. That’s when our conversion to Bahrain-o-phile is complete, and the idea and acceptance that this has become our 'home' fully dawns on us.
HOME THOUGHTS AT HOME
Every time I visit home
I think, I ask, ‘is this my home?’
The jostling crowds seem louder now
The relations seem more cloying now
And too, with every passing year
Aggression seems the order now.
And should I dare to criticize
My words are met with deep, dark sighs
A ringing ‘tut’ a look of disdain
You’re not unfamiliar with the pain
So what has gotten into you
You once lived much the same as we do.
The neatness, cleanliness and hygiene
They proudly show are edged in grime
And mine the only eyes that see
That first class isn’t first, really.
We visit all the top hotels
Sights and sounds I once knew well.
Willingly I pick up tabs of one kind
Having lost the knack of finding tabs in minds.
I am the alien Rip Van Winkle
I’ve lost the jargon, lost the sparkle.
As they used to say at one time
I’m out of it, I’ve lost the line.
I see their love across a lens
I see their smiles, I hear their laughter
Across a time-lag slightly after
I see their love I make amends
I kiss, I hold them ever tighter
I kiss, I hold them through a muffler
I hold hands, I make a fuss
A show of love that once we shared
Excitement so intense, we cared.
And yet, today we can’t be friends.
Do they sense the gulf between us
The wide Arabian Gulf between us?
Do they feel the air’s gone thin?
And though we talk so much more
Can they sense the silence in
Between the words?
We kiss, we hug, we part again
I hurry back to this isolation
This strange cocoon where once I cried
And ached so much to go back home
And now I ask, ‘where is my home?’
The following is an observation of a particular kind of expat who has, over the years, taken on an aspect of expatriate behaviour that isn’t home grown from his or her native place. They too delight, in their way, in a new-found exuberance for life. They join in the large life and often live beyond their means, racking up credit-card expenses, and often ending up in dire straits. They are what I consider:
LOTOPHAGUS* LEPIDOPTERUS SIMPLUS
Caterpillar
I came with cataracts in my eyes
Half blind
A refugee from tears and sighs
So weary
So weary of my insect life
Kafkaesquely mundane strife
The daily munch, munch, munch of travelling
Leaf to leaf, job-to-job commuting.
The strange thing is
I thought that that was
All that life could offer.
Cocoon
Then wrapped in silken transportation
I arrived here.
At first morose: Is this salvation?
I survived here.
Still I lay and learnt through senses
The breakdown of my old defences.
Learnt that other lives there be
Learnt from those like birds so free
Learnt that one could hope to be
Other than chained to leaf and tree.
Could perhaps beat gravity
And lose and shed solemnity.
While retaining memories
Of the life, as grub I led
Of the moult that I would shed
Butterfly
The moult came off with difficulty
First it cracked
And I crept back
Afraid of losing my identity.
Half in half out, I waited
With beating heart, breath bated.
One antenna, then the other
Sensed in the breeze, what I could gather.
Nectar from this island’s flowers.
Some offered disco dancing till the wee hours.
Others were possessions
Brightly hued and plenty.
I could choose from those around me
Soft or bold or gold or glitzy
I stepped out of my cocoon
And in the heady perfume swooned.
And in my swooning I spread my wings.
Why! I could dance most anything:
A sprightly bright fandango
Bee-bop, bump, waltz ‘n’ tango!
I could alight on any flower
At any time, at any hour.
Gathering rosebuds while I may
I could watch the hours slip fast away
And then, upon a frog-loud pond
Broad leaves with dewdrops I espied
The sacred flowers of the Lotophagi*.
They lured me with their perfumes sweet
And I couldn’t leave 'well enough' alone.
So, on anxious wings I soft descended
Knowing that my time was ended
Aware that although such as I
Were truly not Lotophagi.
Now it seems so rich to die.
While I can see the evening in the sky
Spread purple, pink and salmon gold
Knowing I shall not grow old
My head I rest upon a leaf
A perfumed dewdrop brings the sleep
From which I shall not wake for ages
And, though the lotus I’ve not tasted
On its leaf I lie fake-wasted
And with my dying inward eye
See that butterflies such as I
Are mere imitation Lotophagi.
* Lotophagus - Lotus eaters with reference to the place in Greek mythology where Odysseus’ men eat of the narcotic ‘lotus’ plant and forget their homes and purpose.
Another aspect of life in Bahrain is the coalescing of our faiths. Some of us may not have been ardent followers of the religions we were born into in our home countries, but here, suddenly faced with the strong convictions of our hosts, we turn back to our religious roots with a fervour not experienced before. And, especially for those of us born into the Christian faith, the proximity of places like Jordan, Babylon and other Biblical sites, being here in Bahrain takes on an extra-special significance. We’re so aware, that if not the Messiah perhaps one of his early followers could so easily have visited the very sands we walk on …
THE FISHER FOLK
Here we are in the lands of yore
Not far from where once
He walked.
His footsteps fell on similar sands
His words were heard by similar bands
Of men
Wearing loose garments, heads covered
Ears and eyes shaded
But so many were blind
'Too much heaven on their minds'
And now they choose another’s words
They seek the life of another’s world
But we from afar
(Blessed are we who believe
And have not seen)
Remain pure
Steadfast in our faith we try
To save the Saviour’s one-time lands
We cast out nets
Our hopes are met
On the wrong side of our boats
We draw them up
We wind them up
Our lines and nets are empty
In terms of what we fish for
And what we hope to catch.
Our hopes are threads strong knotted
But our nets have gaps wide-slotted
And their small minds slip through the snare
So pleased, so free, so unaware.
They flounder in the turquoise deep
And floundering know not that they flounder
While we retain our purity
And yet again we scythe the sea
Searching for a harvest of lost souls
Trying to raise their interest in our goals
Hoping that here again
We, renamed in faith may be
Exalted in time as true fishers of men.
I have also seen people - both men and women - who affect a certain urbanity as if they aren’t really phased or impressed by all that they see here in the Middle East, whether Bahrain or Dubai, Abu Dhabi, Kuwait or any other Middle Eastern state. They like to make out that they are accustomed to the level of wealth they see in close proximity or sometimes actually hob-nob with individuals who are, to put it plainly, ‘loaded’. These people could come from literally any part of the world and any social status, but they take pains to let those around them know that ‘back home’ all this was par for the course, when really most of us know quite well that it isn’t or wasn’t.
SERENITY!
That woman there so self-possessed
Articulate, well groomed and dressed
Cool and distant as a painting
Of a surrealist landscape.
Her every movement’s practised right
And too her lips, skin, blush and slight
Bent forward head, speak artifice
As does her languid cigarette.
And yet I know beneath that calm
Exterior beats a timorous heart
Nervously twitching lest all should see
Her fearful inadequacy.
She craves acceptance and respect
Her hands with nervousness are wet
The shell she’s built is wafer thin
But hard so others don’t get in.
And painted on its smooth surface
That speckled camouflage - her face.
Her head is filled with all the news
She parrots all the proper views.
But behind her deep dark eyes
Throbs a mind that screams, 'lies, lies!'
Yet every night with care she clads
Her wafer shell with flakes of sad
Hard nacreous secretions. So
That through some tiny gaps or holes
The world, nor anyone should see
That though she loves her life of ease
Her body sates to a fine degree
Beneath it all there longs to be
A soaring spirit flying free.
Perhaps not perfect but at least
Divested of her self-possession
She could make a true confession
And declare to all around her
‘This child beneath the shell is me.’
But her shell is her protector
Both her shelter and her fetter.
Sometimes the knowledge that this life of ease could perhaps be making us, mentally or spiritually lazy, nags at us. But we try and ignore it. Because we know that if we allow ourselves to think about not stimulating our intellects, or challenging the status quo, we’re afraid that all these marvellous comforts that we enjoy here will be lost. The following is dedicated to all of us who every now and then indulge in:
INDOLENCE AT 10AM
On chocolate velvet half slumbering
Cup in hand of Earl Grey tea
A lazy silver teaspoon
Slips easily.
A tiny discordant chink
Against the cadences of a soft violin
On whose wings she is transported
To a land and time far distant
And alien to this present unthinking
Undoing state of dilute comfort and degradation
The knowledge shrieks shrilly in her ears
But the violins take over softly, softly yet again.
Something else I have noticed is nepotism. And when someone from one country is in a position to help another of his or her countrymen and does so, usually by providing a job, then he or she expects unequivocal loyalty. And the person for whom the favour has been done is trapped into a show of support no matter what the dependant actually feels.
ALLEGIANCE OF THE FLY
Caught.
Trapped.
On the silken threads of a gossamer web
Adamantine hard.
Inextricably
Unequivocally
Baited by compatriotism
Ensnared by debits and credits
Caught.
Trapped.
On the sickening threads of a gossamer web
Adamantine hard.
Obligations
Of a nation
Gratitude or its verisimilitude:
Mere thanks
For being allowed to join the ranks
Although an officer not a professor
Caught.
Trapped.
On the sticky threads of a gossamer web
Adamantine hard.
Linked
By bonds of similar losses
Tears and heartaches shared
In spite of all their latter distances
They are well and truly ensnared.
And so, finally I come to people who have stayed beyond their ‘best before’ date. People who know that perhaps they should have left while they were still marketable, or could have, should have, upgraded their skills but didn’t. They have been very happy here, but the writing on the wall says it’s time to go. They disagree with some points of life here but are too comfortable in their situations to make a stand, often, sadly they are in a position to be able to make that stand. When the poem was written they couldn’t do so, but today there are options and they can stay and make Bahrain their home. The question is, will they?
LAMENT OF THE LOTUS EATERS
A deep slumber
A dream remembered
Once upon a time, we lived
Between birth and death
Suspended like a dewdrop
In the dawn.
And all life
Was a desperate clinging to the leaf.
From each breath
Each ray of sunlight
Each wisp of mist
We extracted every molecule of joy
And now, we wonder why
Struldbrugs
We just wait to die.
Growing old in Shangri-la
Having lost our precious ‘wa’
And yet not lost our equilibrium
We wait
Suspended, lives askew
Between don’ts, won’ts, can’ts, I could, I should
And I do.
So there we have it. This is our odd love of Beautiful Bahrain; as typified by the expatriate population that has grown to admire this tiny country. People who have learnt its history, recorded its milestones, and in many cases, like Sir. Charles Belgrave, helped lay down the blueprint for its future. I salute them and smile at them, and hope some day to be considered amongst those who made albeit a tiny difference and left a small footprint in the sands of its times.
Rohini is a Canadian of Indian origin. After many years as an ex-pat living and working in the Kingdom of Bahrain, she now calls Port Coquitlam near Vancouver, Canada her home. While in Bahrain, for several years, Rohini managed The Bahrain Writers' Circle, and Second Circle poetry group, and hosted a large number of poetry events. She is now also an active member of a local writers' group: Tri-City Wordsmiths. A semi-retired advertising copywriter, she has published five books: Corpoetry, Desert Flower: Five Lives One Day in Bahrain, (all previously published by Ex-L-Ence Publishing), Twelve Roses for Love, a collection of short stories and A to Z Flowers, Poems & Bible Verses a collection of flower poetry arranged as a journal. Her poems have appeared in Dilliwali (Publisher Busra Alvi Razzak), Quesadilla & Other Adventures (2019), The Society of Classical Poets’ Journals VII, VIII & XII. A short story was shortlisted in The Atlantis Short Story Contest (2013) published by Expanded Horizons, (2018). A CNF entry and Flash Fiction story were long-listed in separate WOW Women on Writing contests, Winner: Oapschat, U.K 2014. Her latest success is a short story published by The Missouri Review Fall 2022 issue (digital, print and audio).
E: RohiniSunderam@gmail.com
W: https://fictionpals.wordpress.com
© Robin Barratt and authors contained herein.
My Beautiful Bahrain: ISBN 978-1507774427
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