Heritage Craft in Bahrain

Heritage Craft in Bahrain

By Kavita Sharma


INTRODUCTION: the architect’s journey to craft and culture


an architect, my journey has been influenced deeply by heritage art and architecture. My exposure to different cultures, specifically in India and Germany, played a critical role in shaping my understanding of design and the built environment. Raised in an environment that valued sustainability and heritage, I developed a lifelong passion for combining traditional craftsmanship with contemporary design to create meaningful, eco-conscious products. Through my work, I aim to contribute to the preservation and appreciation of traditional craft forms while fostering an understanding of the importance of sustainable design in modern architecture.


My path has taken me from my studies in India and Germany, to a rich and fulfilling life in Bahrain, where I have been deeply influenced by the country’s craft traditions and cultural heritage. This diverse experience, coupled with my enduring connection to my Indian roots, has fueled my passion for preserving and promoting Intangible Cultural Heritage (ICH).

THE ARCHITECTURAL INFLUENCE: Melding the Past and Present


My academic background in architecture allowed me to explore the beauty of historical structures and their relationship to the natural environment. Studying in India, I was captivated by the elegance of ancient Indian architecture, which seamlessly integrated natural elements like water, light, and air with locally sourced materials. This deep respect for the wisdom of past generations—particularly their sustainable design practices—continues to influence my work today.I further honed my understanding of modern architectural principles, allowing me to merge the old with the new in my design practice.


Through my architectural studies, I learned that architecture is not merely the creation of buildings but an ongoing dialogue between past and present, between human needs and environmental considerations. This philosophy has been a guiding principle throughout my career, shaping my approach to design, craft, and collaboration with artisans.

EARLY INFLUENCES: Sustainability and a Connection to Nature


My early years, spent in a household that valued nature and holistic practices, laid the foundation for my respect for sustainable living. 

The concept of sustainability was not a distant ideal in our household but a way of life. Whether through the use of natural remedies, conservation of water, or reliance on local materials, I was immersed in a lifestyle that emphasized the importance of living in harmony with the environment. This upbringing nurtured my commitment to sustainable design practices, a commitment that has been at the heart of my work ever since.


THE BAHRAIN CONNECTION: A Cultural Crossroads


In 2002, I moved to Bahrain, a small island nation in the Arabian Gulf, and immediately fell in love with its rich cultural tapestry and vibrant craft traditions. The island’s unique blend of cultures—Arab, Persian, Indian, and African—resonated deeply with me. Bahrain’s efforts to preserve its cultural heritage, especially through its various crafts like pottery, leatherworking, and weaving, echoed the craftsmanship I admired in India.

Living in Bahrain has been a culturally enriching experience. The island’s dedication to documenting and preserving its history resonates with my architectural background and strengthens my connection to craft and culture. As I delved deeper into Bahrain’s craft traditions, I became increasingly interested in Intangible Cultural Heritage (ICH), which represents the living traditions, knowledge, and practices that link us to the past.



COLLABORATING WITH ARTISAN COMMUNITIES: A Respect for Tradition and Sustainability


My work with Kala Design has brought me into close collaboration with artisan communities across India and Bahrain. I have immense respect for these artisans, who continue to practice time-honored, environmentally sustainable techniques. By working together, we have developed products that are not only beautiful and functional but also contribute to strengthening local economies and uplifting communities.


Through my design background, I have been able to collaborate with artisans to create eco-conscious products, including linens, fabrics, homewares, and accessories. These products reflect a blend of traditional craftsmanship and contemporary design, demonstrating that sustainable design practices can be integrated into modern lifestyles without compromising on aesthetics.

PROMOTING SUSTAINABILITY AND CRAFT IN THE GLOBAL CONTEXT


The philosophy of Kala Design has resonated with Bahrain’s multicultural community, which has warmly embraced our products. It has been rewarding to see a growing awareness among clients about the origins of our products and the values they represent. Many clients are increasingly conscious of their carbon footprint and are interested in the stories behind the products they purchase. This shift toward sustainability and mindful consumption is heartening, as it aligns with my vision for Kala Design and my commitment to promoting eco-conscious design.


In 2023, I had the honor of being invited to the UNESCO Creative Industries Forum in Amman, Jordan. This opportunity allowed me to promote the importance of blending traditional craftsmanship with contemporary design on a global stage. The forum highlighted the need for greater appreciation and preservation of ICH in today’s rapidly changing world. Through Kala Design, I aim to continue contributing to this dialogue by raising the profile of traditional art forms, celebrating the diversity of Indian culture, and fostering a greater appreciation for craftsmanship in Bahrain and beyond.

CONCLUSION: Craft as a Bridge Between Cultures


Through my work as an architect, designer, and advocate for ICH, I have sought to bridge cultures and promote sustainable practices. My journey, from my early years in Brazil to my life in Bahrain, has been deeply influenced by a respect for tradition, nature, and sustainability. Whether through my collaborations with artisans or my participation in international forums, I remain committed to preserving and promoting the intangible cultural heritage that links us to our past and guides us toward a more sustainable future.


Kala Design represents not only my personal journey but also a broader vision for the future of craft and design. By celebrating the rich diversity of Indian culture and promoting the importance of sustainable, eco-conscious design, I hope to continue making a meaningful impact in both the local and global context.

THE POTTERY TRADITION OF AALI, BAHRAIN


The village of Aali in Bahrain is renowned for its rich pottery traditions, which have been passed down through generations. This ancient craft, still practiced today, is a testament to Bahrain’s cultural heritage. The artisans of Aali use traditional methods to create pottery that reflects the island’s history and craftsmanship. What makes Aali’s pottery unique is the combination of locally sourced clay and handcrafting techniques that have remained largely unchanged for centuries. The process involves a deep respect for the natural materials and meticulous craftsmanship, which resonates with my own design philosophy.


My collaboration with Maithan, a master potter from Aali, has been particularly fulfilling. Together, we have created pieces that blend Indian and Bahraini cultural elements, such as diyas and flower bowls, which reflect the interconnectedness of our cultures. The continued relevance of Aali’s pottery in today’s world is a beautiful example of how traditional crafts can adapt and thrive while preserving their cultural significance.


Together, we have designed flower bowls, diyas, and tea cups that have been well-received by the Bahrain Authority for Culture and Antiquities. These products are a testament to the fusion of Indian and Bahraini crafts, highlighting the rich, linked yet distinct cultural histories of the two regions.

In addition to working with potters, I have also collaborated with cruelty-free leather artisans in Bahrain to create slippers that celebrate the blending of Indian and Bahraini cultures. These collaborations have allowed me to further explore the potential of cross-cultural design, and they have been embraced by Bahrain’s multicultural community.

About Kavita

Hailing from Indian roots, an architect, Kavita spent her formative years in South America and Germany and now lives in Bahrain for the past 25 years, with her husband and two daughters. 

Inspired by the multicultural heritage of the places that became a part of her heritage journey. she was inspired and drawn to craft preservation since 2016. She was invited by UNESCO led Creative Industries Forum promoting Arab Culture in 2023, Jordan by ESCWA promoting ICH ( Intangible Cultural Heritage.)  She was also invited by the University of Alabama, USA to conduct a craft workshop for students of the university in India in January 2024. She works closely with local potters in the village of Ali, also conducts Workshops promoting Heritage Craft in Bahrain.

E: kaladesign108@gmail.com

Instagram: @design_kala/



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